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For three weeks, a group of stage creators made up of theater directors, choreographers, dancers, actors and multimedia designers have entered an intensive creation laboratory, where together they discovered a new territory of work, a new language, a new way of understanding. time and space, through the camera and digital tools, but which requires the skills and craft of theater work.
What has changed is the space where the fiction occurs.
The TCRV workshop expands the limits of geographical and temporal collaboration, they joined: 4 countries, 10 cities of the Mexican Republic and 4 time zones, coinciding in a space created by invisible ties, to build imaginary universes that are represented live and in time real, everything happening from each home of the participants, these spaces were transformed into scenarios through camera points of view, angles and perspectives, as well as the handling of the camera in a conscious and precise way.
The stage direction and multimedia were achieved from his remote booth, containing what happens in each stage: each interpreter creates her environment and intertwines the play of visual and sound spaces to tell stories in a concrete, abstract, or symbolic way.
In this laboratory, the participants were divided into four work teams where they developed a first exercise to experience this new language, where they will begin to build new narrative forms that will allow us to create complex universes in the future.
In this first stage, the public will be able to perceive the possibilities that open up in this scenic expression transferred to a different space, above all, they will be able to share the emotion and adrenaline that characterizes a live performance.
Sincerely
Vivian Cruz
Durante tres semanas, un grupo de creadores escénicos conformado por directores de teatro, coreógrafos, bailarines, actores y diseñadores multimedia han entrado en un laboratorio de creación intensivo, donde juntos descubrieron un nuevo territorio de trabajo, un nuevo lenguaje, una nueva forma de entender el tiempo y el espacio, a través de la cámara y las herramientas digitales, pero que requiere de las habilidades y oficio del quehacer teatral.
El taller TCRV expande los límites de colaboración geográfica y temporal, se unieron: 4 países, 10 ciudades de la República Mexicana y 4 husos horarios, coincidiendo en un espacio creado por lazos invisibles, para construir universos imaginarios que son representados en vivo y en tiempo real, todo sucediendo desde cada hogar de los participantes, dichos espacios fueron transformados en escenarios a través de puntos de vista de la cámara, ángulos y perspectivas, así como el manejo de la cámara de forma consciente y precisa.
La dirección escénica y multimedia se lograron desde su cabina a distancia, conteniendo lo que sucede en cada escenario: cada intérprete crea su entorno y va entrelazando el juego de espacios visuales y sonoros para contar historias de forma concreta, abstracta, o simbólica.
En este laboratorio, los participantes se dividieron en cuatro equipos de trabajo donde desarrollaron un primer ejercicio para experimentar este nuevo lenguaje, donde se empezará a construir nuevas formas narrativas que en un futuro nos permitirá crear universos complejos.
En esta primera etapa, el público podrá percibir las posibilidades que se abren en esta expresión escénica trasladada a un espacio distinto, sobre todo, podrán compartir la emoción y adrenalina que caracteriza una función en vivo.
Atentamente
Vivian Cruz
Per tre settimane un gruppo di scenografi composto da registi teatrali, coreografi, danzatori, attori e designer multimediali è entrato in un laboratorio di creazione intensivo, dove insieme hanno scoperto un nuovo territorio di lavoro, un nuovo linguaggio, un nuovo modo di intendere. tempo e spazio, attraverso la macchina fotografica e gli strumenti digitali, ma che richiede le capacità e l’arte del lavoro teatrale.
Ciò che è cambiato è lo spazio in cui si svolge la finzione.
Il workshop TCRV amplia i limiti della collaborazione geografica e temporale, si sono uniti: 4 paesi, 10 città della Repubblica Messicana e 4 fusi orari, coincidenti in uno spazio creato da legami invisibili, per costruire universi immaginari che sono rappresentati dal vivo e nel tempo reale , tutto ciò che accade da ogni casa dei partecipanti, questi spazi sono stati trasformati in scenari attraverso punti di vista, angoli e prospettive della telecamera, nonché la gestione della telecamera in modo consapevole e preciso.
La regia e la multimedialità sono state realizzate dal loro stand remoto, contenente ciò che accade su ogni palco: ogni performer crea il proprio ambiente e intreccia il gioco degli spazi visivi e sonori per raccontare storie in modo concreto, astratto o simbolico.
In questo laboratorio, i partecipanti sono stati divisi in quattro gruppi di lavoro dove hanno sviluppato un primo esercizio per sperimentare questo nuovo linguaggio, dove inizieranno a costruire nuove forme narrative che ci permetteranno di creare universi complessi in futuro.
In questa prima fase il pubblico potrà percepire le possibilità che si aprono in questa espressione scenica trasferita in uno spazio diverso, soprattutto potrà condividere l’emozione e l’adrenalina che caratterizzano una performance dal vivo.
Cordiali saluti
Vivian Cruz
Title
Todo Bien, Todo Tranqui
Company
Colectivo Cistifellea
Duration
10 min
Director
Vera Rivas
Multimedia Director
Elena Tilli
Performers
René Pérez
Melissa Zaragoza
Mariana Minuti
Denise Castillo
Technical Support
Hector Cruz
Presented at:
Landscape Facebook Platform
Landscape.mx
20-21 March 2021
Cistifellea ©2023 – All Rights Reserved
Composer, pianist, guitarist and percussionist specialized in Jazz and Afro-Caribbean music. Creator of soundtracks for audiovisuals and performing arts.
Song writer.
Double degree in Jazz Piano from the Universidad Javeriana de Bogotá, Colombia and the Escuela Superior de Música de Catauña, Spain.
Nicolás is the co-founder of the Cistifellea Collective together with the director and stage designer Elena Tilli, in which he works as a sound designer, performer, and writer. His practice of improvisation and his capability to connect directly with the performers in real-time offers unique possibilities to the process. He also loves to experiment with what the participation of the public can offer to sound by developing specific tools for interaction and building custom-based small-scale instruments. By using software and electronic sounds, together with live played instruments, Nicolas allows himself a fullscale exploration that together with his wide versatility as a musician and composer, opens up a high level of complexity that translates into a beautiful, inspiring and sometimes provocative experience for the public.
Nicolas is also a singer-songwriter, leader, and manager of the independent musical project Yurgaki since 2005.
Composer and co-producer of the projects Candombe Tierra, Sones de Marimba, Chonta Dura, in Barcelona.
His work has been presented internationally in countries such as Ecuador, United States, France, Italy, Croatia, Romania, Ecuador, Morocco, Azerbaijan, Colombia and Spain.
Nicolás also works as an educator for children, youth and adults. He promotes Afro-Caribbean music around the world through concerts and workshops where he spreads various musical genres, disseminating traditional music and transforming it through his own compositions.
Elena is a multidisciplinary artist.
She insists on the body as the epicenter of scenic language while creating experiences for the spectator.
Elena is the co-founder of the Cistifellea Collective together with the musician Nicolas Cristancho, in which she directs, and builds scenery, machines, and media design. She is also a video designer in the theater and her collaborations have been seen at The Kitchen Theater in New York, at the Barichstaadt Opera in Munich, and in public theaters in Barcelona.
After graduating in mechanical engineering (MA), Elena completed her education at Yale School of Drama studying Technical Design and Production and Design for Theater. She completed the three years program held by Claudia Castellucci at Scuola Conia Raffaello Sanzio focused on the Theory of Scenic Representation.
Elena creates visual experiences combining elements of video, sound, and light for a variety of artistic applications. Her practice merges the research of the surrounding elements combined with curated improvisation to find new possibilities throughout the process, always guided by the commitment to find in the collaboration a unique and essential value.
In 2022 she received a scholarship from Daku, Berlin. She holds a scholarship from the Favoriten Festival (2022), Dortmund. She is a fellow of the Beyond Gravity project of Theater Im Depot, Dortmund. She is a fellow of the Digital Body program at the studio Lake Studios Berlin. In 2021 she receives a scholarship from the Akademie für Theater und Digitalität, Dortmund.
In 2019, Elena received the residency offered by Troikatronix-Isadora and LakeStudio Berlin. During this time she created the short piece Ex Matrice Corpora.
With Cistifellea she directed the shows A&D Presence of Absent (2022), Don’t Make it A Play (2022), Asuntos Humanos (2021), Todo Bien Todo Tranqui (2021) El Silencio no Existe (2020).
